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throughout recorded history

  • 1 recorded

    recorded [rɪ'kɔ:dɪd]
    (a) (music, message, tape) enregistré; (programme) préenregistré; (broadcast) transmis en différé
    (b) (fact) attesté, noté; (history) écrit; (votes) exprimé;
    throughout recorded history pendant toute la période couverte pour laquelle on dispose de documents écrits
    ►► British recorded delivery recommandé m;
    to send sth (by) recorded delivery envoyer qch en recommandé avec accusé de réception;
    recorded highlights (on TV) extraits mpl préenregistrés

    Un panorama unique de l'anglais et du français > recorded

  • 2 recorded

    adjective
    aufgezeichnet [Film, Konzert, Rede]; überliefert [Ereignis, Geschichte]; bespielt [Band]
    * * *
    re·cord·ed
    [rɪˈkɔ:dɪd, AM -ˈkɔ:rd-]
    adj inv
    1. (appearing in records) verzeichnet, dokumentiert, belegt
    the level of \recorded crime has decreased by 5% this year die Zahl der registrierten Verbrechen ist dieses Jahr um 5 % zurückgegangen
    throughout \recorded history seit der Geschichtsschreibung
    2. (stored electronically) aufgenommen, aufgezeichnet
    a \recorded message eine aufgezeichnete Nachricht
    * * *
    [rI'kɔːdɪd]
    adj
    1) music, programme aufgezeichnet

    recorded messageAnsage f, Bandansage f

    2) fact, occurrence schriftlich belegt; crime angezeigt, gemeldet
    * * *
    adjective
    aufgezeichnet [Film, Konzert, Rede]; überliefert [Ereignis, Geschichte]; bespielt [Band]
    * * *
    adj.
    aufgenommen adj.
    aufgezeichnet adj. pret.
    nahm auf prät.

    English-german dictionary > recorded

  • 3 recorded

    re·cord·ed [rɪʼkɔ:dɪd, Am -ʼkɔ:rd-] adj
    1) ( appearing in records) verzeichnet, dokumentiert, belegt;
    the level of \recorded crime has decreased by 5 % this year die Zahl der registrierten Verbrechen ist dieses Jahr um 5 % zurückgegangen;
    throughout \recorded history seit der Geschichtsschreibung
    2) ( stored electronically) aufgenommen, aufgezeichnet;
    a \recorded message eine aufgezeichnete Nachricht

    English-German students dictionary > recorded

  • 4 colección

    f.
    1 collection, set, array, assemblage.
    2 collection.
    3 collection, array, panoply.
    * * *
    1 collection
    * * *
    noun f.
    * * *

    es de colección Méx it's a collector's item

    * * *
    a) (de sellos, monedas, cuadros) collection
    b) (fam) ( gran cantidad)
    c) (Lit) collection
    d) ( de modas) collection
    * * *
    = aggregation, collection, congeries, holdings, information store, library, stock, document collection, assemblage, repertory, collection, cache, deposit collection, harvest, picking, collecting, line-up, menagerie.
    Ex. We should realize that a library is not simply an aggregation of discrete recorded materials; rather, it represents a collection, or more precisely collection of works.
    Ex. A collection is two or more independent works or parts of works by one or more than one author published together and not written for the same occasion or for the publication in hand = Una colección son dos o más obras o partes de obras independientes de uno o más autores publicadas juntas y que no ha sido escritas para la misma ocasión o para la publicación en cuestión.
    Ex. To be sure, it still has its congeries of mills and factories, its grimy huddle of frame dwellings and congested tenements, its stark, jagged skyline, but its old face is gradually changing.
    Ex. A union catalogue then is, a catalogue listing in one sequence the holdings or part of the holdings of two or more libraries.
    Ex. It is obviously impracticable to search the entire information store in the satisfaction of a particular request for information.
    Ex. A library is no longer constrained to choose either a classified or a dictionary catalogue.
    Ex. The second function of the catalogue is concerned with the housekeeping activity of keeping a record of the library stock.
    Ex. Finally, the tacit assumption so far has been that we are dealing with a single document collection.
    Ex. Ranganathan illustrates how these Main Subjects have developed by loose assemblage, dissection, denudation, distillation, etc..
    Ex. Thousands of songs and piano pieces have been published in magazines issued throughout Europe and the Americas, yet an overall history is lacking for this large repertory of music.
    Ex. While there are a profusion of techniques in existence to gain access to the collections, there is no uniform system.
    Ex. It is known that there were books made from bamboo and wood during the Shang dynasty (1766-1122 BC) but none remain today except caches of oracle bones.
    Ex. In many instances it is the ward sister who administers the deposit collection left by the local library.
    Ex. The article is entitled 'Bountiful harvest: aquaculture and agriculture information services for the Pacific'.
    Ex. The most popular recreation forms in nature are swimming in summer, the picking of berries, and mushrooms, cross-country skiing, and fishing and hunting.
    Ex. Research done in the field of collecting has primarily focused on those people who are known collectors such as gun, stamp, or coin collectors.
    Ex. The title of the article is 'The information market: a line-up of competitors'.
    Ex. The latest addition to my clock menagerie is a cuckoo clock, something I've wanted for quite some time.
    ----
    * análisis de la colección = collection analysis.
    * basado en la colección = collection-centred, materials-centred [materials-centered], collection-based.
    * bibliotecario encargado de colecciones especializadas = special collections librarian.
    * bibliotecario encargado de la colección de mapas = map librarian.
    * bibliotecario encargado del desarrollo de la colección = collections librarian.
    * centrado en la colección = collection-centred, collection-based.
    * colección básica = core collection.
    * colección bibliográfica = book collection.
    * colección bibliotecaria = library collection [library's collection].
    * colección central = central collection.
    * colección compartida = cooperative collection.
    * colección cooperativa = cooperative collection.
    * colección de animales = menagerie.
    * colección de arte = art collection.
    * colección de arte pictórico = pictorial art collection.
    * colección de autógrafos = autograph collection.
    * colección de comics = comics collection.
    * colección de consulta = browsing collection.
    * colección de control = test collection.
    * colección de depósito legal = depository collection, legal deposit collection, deposit collection.
    * colección de derecho = law collection.
    * colección de diapositivas = slide library.
    * colección de dibujos = drawing collection.
    * colección de discos = record collection.
    * colección de documentos impresos = print collection.
    * colección de fondos electrónicos = e-collection [electronic collection].
    * colección de fondos locales = local history collection, local collection.
    * colección de fotografías = photograph collection.
    * colección de grabaciones sonoras = sound collection.
    * colección de historia local = local history collection.
    * colección de investigación = research collection.
    * colección de la biblioteca = library collection [library's collection].
    * colección de libros = book collection.
    * colección de libros de derecho en una prisión = prison law library.
    * colección de libros de jardinería = gardening collection.
    * colección de libros donados = gift collection.
    * colección de libros raros = rare book collection, rare collection.
    * colección de mapas = map collection.
    * colección de música = music collection.
    * colección de música popular = popular music collection.
    * colección de objetos de las artes escénicas = theatre arts collection.
    * colección de prácticas = laboratory collection.
    * colección de prensa = newspaper collection.
    * colección de préstamo = circulating collection.
    * colección de préstamo restringido = course reserve.
    * colección de programas informáticos = software library.
    * colección de publicaciones monográficas = monograph stock.
    * colección de publicaciones periódicas = periodical stock, periodical collection.
    * colección de recortes = clipping file [cuttings file, -UK], cuttings file [clipping file, -USA].
    * colección de recortes de periódicos = clippings collection.
    * colección de referencia = reference collection.
    * colección de relieves topográficos = topographical collection.
    * colección de retratos = portrait collection.
    * colección de sonido = sound collection.
    * colección de tebeos = comics collection.
    * colección de una biblioteca = local holding.
    * colección de vídeos = video series.
    * colección en varios volúmenes = multivolume set.
    * colección especializada = special collection, study collection.
    * colección ficticia = made-up collection.
    * colección fotográfica = photographic library.
    * colección impresa = print set.
    * colección inactiva = inactive collection.
    * colección integrada = integrated collection.
    * colección local = area studies collection, local collection.
    * colección monográfica = monographic collection, book series.
    * colección multimedia = multimedia collection, media collection.
    * colección paleontológica = palaeontology collection.
    * colección patrimonial = heritage collection.
    * colección personal = home collection, personal collection.
    * colección pictórica = pictorial collection.
    * colección privada = private collection.
    * colección recogida = accumulation.
    * colección temática = subject collection.
    * crear una colección = build + collection.
    * crecimiento de la colección = collection growth.
    * desarrollo de la colección = collection building, collection development [collections development].
    * encargado de la colección = stock editor.
    * evaluación de la colección = collection assessment, collection evaluation, collection analysis.
    * formación de la colección = collection building.
    * formar una colección = build + collection.
    * gestión de la colección = collection management.
    * política de desarrollo de la colección = collection development policy.
    * una colección desordenada de = a scrapbook of.
    * uso de la colección = stock use.
    * * *
    a) (de sellos, monedas, cuadros) collection
    b) (fam) ( gran cantidad)
    c) (Lit) collection
    d) ( de modas) collection
    * * *
    = aggregation, collection, congeries, holdings, information store, library, stock, document collection, assemblage, repertory, collection, cache, deposit collection, harvest, picking, collecting, line-up, menagerie.

    Ex: We should realize that a library is not simply an aggregation of discrete recorded materials; rather, it represents a collection, or more precisely collection of works.

    Ex: A collection is two or more independent works or parts of works by one or more than one author published together and not written for the same occasion or for the publication in hand = Una colección son dos o más obras o partes de obras independientes de uno o más autores publicadas juntas y que no ha sido escritas para la misma ocasión o para la publicación en cuestión.
    Ex: To be sure, it still has its congeries of mills and factories, its grimy huddle of frame dwellings and congested tenements, its stark, jagged skyline, but its old face is gradually changing.
    Ex: A union catalogue then is, a catalogue listing in one sequence the holdings or part of the holdings of two or more libraries.
    Ex: It is obviously impracticable to search the entire information store in the satisfaction of a particular request for information.
    Ex: A library is no longer constrained to choose either a classified or a dictionary catalogue.
    Ex: The second function of the catalogue is concerned with the housekeeping activity of keeping a record of the library stock.
    Ex: Finally, the tacit assumption so far has been that we are dealing with a single document collection.
    Ex: Ranganathan illustrates how these Main Subjects have developed by loose assemblage, dissection, denudation, distillation, etc..
    Ex: Thousands of songs and piano pieces have been published in magazines issued throughout Europe and the Americas, yet an overall history is lacking for this large repertory of music.
    Ex: While there are a profusion of techniques in existence to gain access to the collections, there is no uniform system.
    Ex: It is known that there were books made from bamboo and wood during the Shang dynasty (1766-1122 BC) but none remain today except caches of oracle bones.
    Ex: In many instances it is the ward sister who administers the deposit collection left by the local library.
    Ex: The article is entitled 'Bountiful harvest: aquaculture and agriculture information services for the Pacific'.
    Ex: The most popular recreation forms in nature are swimming in summer, the picking of berries, and mushrooms, cross-country skiing, and fishing and hunting.
    Ex: Research done in the field of collecting has primarily focused on those people who are known collectors such as gun, stamp, or coin collectors.
    Ex: The title of the article is 'The information market: a line-up of competitors'.
    Ex: The latest addition to my clock menagerie is a cuckoo clock, something I've wanted for quite some time.
    * análisis de la colección = collection analysis.
    * basado en la colección = collection-centred, materials-centred [materials-centered], collection-based.
    * bibliotecario encargado de colecciones especializadas = special collections librarian.
    * bibliotecario encargado de la colección de mapas = map librarian.
    * bibliotecario encargado del desarrollo de la colección = collections librarian.
    * centrado en la colección = collection-centred, collection-based.
    * colección básica = core collection.
    * colección bibliográfica = book collection.
    * colección bibliotecaria = library collection [library's collection].
    * colección central = central collection.
    * colección compartida = cooperative collection.
    * colección cooperativa = cooperative collection.
    * colección de animales = menagerie.
    * colección de arte = art collection.
    * colección de arte pictórico = pictorial art collection.
    * colección de autógrafos = autograph collection.
    * colección de comics = comics collection.
    * colección de consulta = browsing collection.
    * colección de control = test collection.
    * colección de depósito legal = depository collection, legal deposit collection, deposit collection.
    * colección de derecho = law collection.
    * colección de diapositivas = slide library.
    * colección de dibujos = drawing collection.
    * colección de discos = record collection.
    * colección de documentos impresos = print collection.
    * colección de fondos electrónicos = e-collection [electronic collection].
    * colección de fondos locales = local history collection, local collection.
    * colección de fotografías = photograph collection.
    * colección de grabaciones sonoras = sound collection.
    * colección de historia local = local history collection.
    * colección de investigación = research collection.
    * colección de la biblioteca = library collection [library's collection].
    * colección de libros = book collection.
    * colección de libros de derecho en una prisión = prison law library.
    * colección de libros de jardinería = gardening collection.
    * colección de libros donados = gift collection.
    * colección de libros raros = rare book collection, rare collection.
    * colección de mapas = map collection.
    * colección de música = music collection.
    * colección de música popular = popular music collection.
    * colección de objetos de las artes escénicas = theatre arts collection.
    * colección de prácticas = laboratory collection.
    * colección de prensa = newspaper collection.
    * colección de préstamo = circulating collection.
    * colección de préstamo restringido = course reserve.
    * colección de programas informáticos = software library.
    * colección de publicaciones monográficas = monograph stock.
    * colección de publicaciones periódicas = periodical stock, periodical collection.
    * colección de recortes = clipping file [cuttings file, -UK], cuttings file [clipping file, -USA].
    * colección de recortes de periódicos = clippings collection.
    * colección de referencia = reference collection.
    * colección de relieves topográficos = topographical collection.
    * colección de retratos = portrait collection.
    * colección de sonido = sound collection.
    * colección de tebeos = comics collection.
    * colección de una biblioteca = local holding.
    * colección de vídeos = video series.
    * colección en varios volúmenes = multivolume set.
    * colección especializada = special collection, study collection.
    * colección ficticia = made-up collection.
    * colección fotográfica = photographic library.
    * colección impresa = print set.
    * colección inactiva = inactive collection.
    * colección integrada = integrated collection.
    * colección local = area studies collection, local collection.
    * colección monográfica = monographic collection, book series.
    * colección multimedia = multimedia collection, media collection.
    * colección paleontológica = palaeontology collection.
    * colección patrimonial = heritage collection.
    * colección personal = home collection, personal collection.
    * colección pictórica = pictorial collection.
    * colección privada = private collection.
    * colección recogida = accumulation.
    * colección temática = subject collection.
    * crear una colección = build + collection.
    * crecimiento de la colección = collection growth.
    * desarrollo de la colección = collection building, collection development [collections development].
    * encargado de la colección = stock editor.
    * evaluación de la colección = collection assessment, collection evaluation, collection analysis.
    * formación de la colección = collection building.
    * formar una colección = build + collection.
    * gestión de la colección = collection management.
    * política de desarrollo de la colección = collection development policy.
    * una colección desordenada de = a scrapbook of.
    * uso de la colección = stock use.

    * * *
    1 (de sellos, monedas, cuadros) collection
    hace colección de mariposas she collects butterflies
    2 ( fam)
    (gran cantidad): no sé cómo quiere otro hijo, si ya tiene una colección I can't imagine why she wants another child, she already has a whole brood ( hum)
    tiene una colección de pulseras she has a huge collection of bracelets
    3 ( Lit) collection
    4 (de modas) collection
    colecciones infantiles children's fashions o wear
    * * *

     

    colección sustantivo femenino
    collection
    colección sustantivo femenino collection
    ' colección' also found in these entries:
    Spanish:
    antológica
    - antológico
    - discoteca
    - engrosar
    - exhibir
    - herbolaria
    - herbolario
    - panoplia
    - adquirir
    - biblioteca
    - línea
    - presentar
    English:
    array
    - body
    - collection
    - invaluable
    - model
    - put together
    - set
    - stamp collection
    - swap for
    - collector
    - large
    - menagerie
    - round
    * * *
    1. [de sellos, objetos] collection
    la colección permanente [de museo] the permanent collection
    2. Fam [gran cantidad]
    tiene una colección de primos he has loads of cousins;
    cometió una colección de errores he made a whole series of mistakes;
    no dijo más que una colección de tonterías he talked a load of nonsense
    3. [de moda] collection;
    la colección de primavera the spring collection
    * * *
    f collection
    * * *
    colección nf, pl - ciones : collection
    * * *
    colección n collection

    Spanish-English dictionary > colección

  • 5 Leonardo da Vinci

    [br]
    b. 15 April 1452 Vinci, near Florence, Italy,
    d. 2 May 1519 St Cloux, near Amboise, France.
    [br]
    Italian scientist, engineer, inventor and artist.
    [br]
    Leonardo was the illegitimate son of a Florentine lawyer. His first sixteen years were spent with the lawyer's family in the rural surroundings of Vinci, which aroused in him a lifelong love of nature and an insatiable curiosity in it. He received little formal education but extended his knowledge through private reading. That gave him only a smattering of Latin, a deficiency that was to be a hindrance throughout his active life. At sixteen he was apprenticed in the studio of Andrea del Verrochio in Florence, where he received a training not only in art but in a wide variety of crafts and technical arts.
    In 1482 Leonardo went to Milan, where he sought and obtained employment with Ludovico Sforza, later Duke of Milan, partly to sculpt a massive equestrian statue of Ludovico but the work never progressed beyond the full-scale model stage. He did, however, complete the painting which became known as the Virgin of the Rocks and in 1497 his greatest artistic achievement, The Last Supper, commissioned jointly by Ludovico and the friars of Santa Maria della Grazie and painted on the wall of the monastery's refectory. Leonardo was responsible for the court pageants and also devised a system of irrigation to supply water to the plains of Lombardy. In 1499 the French army entered Milan and deposed Leonardo's employer. Leonardo departed and, after a brief visit to Mantua, returned to Florence, where for a time he was employed as architect and engineer to Cesare Borgia, Duke of Romagna. Around 1504 he completed another celebrated work, the Mona Lisa.
    In 1506 Leonardo began his second sojourn in Milan, this time in the service of King Louis XII of France, who appointed him "painter and engineer". In 1513 Leonardo left for Rome in the company of his pupil Francesco Melzi, but his time there was unproductive and he found himself out of touch with the younger artists active there, Michelangelo above all. In 1516 he accepted with relief an invitation from King François I of France to reside at the small château of St Cloux in the royal domain of Amboise. With the pension granted by François, Leonardo lived out his remaining years in tranquility at St Cloux.
    Leonardo's career can hardly be regarded as a success or worthy of such a towering genius. For centuries he was known only for the handful of artistic works that he managed to complete and have survived more or less intact. His main activity remained hidden until the nineteenth and twentieth centuries, during which the contents of his notebooks were gradually revealed. It became evident that Leonardo was one of the greatest scientific investigators and inventors in the history of civilization. Throughout his working life he extended a searching curiosity over an extraordinarily wide range of subjects. The notes show careful investigation of questions of mechanical and civil engineering, such as power transmission by means of pulleys and also a form of chain belting. The notebooks record many devices, such as machines for grinding and polishing lenses, a lathe operated by treadle-crank, a rolling mill with conical rollers and a spinning machine with pinion and yard divider. Leonardo made an exhaustive study of the flight of birds, with a view to designing a flying machine, which obsessed him for many years.
    Leonardo recorded his observations and conclusions, together with many ingenious inventions, on thousands of pages of manuscript notes, sketches and drawings. There are occasional indications that he had in mind the publication of portions of the notes in a coherent form, but he never diverted his energy into putting them in order; instead, he went on making notes. As a result, Leonardo's impact on the development of science and technology was virtually nil. Even if his notebooks had been copied and circulated, there were daunting impediments to their understanding. Leonardo was left-handed and wrote in mirror-writing: that is, in reverse from right to left. He also used his own abbreviations and no punctuation.
    At his death Leonardo bequeathed his entire output of notes to his friend and companion Francesco Melzi, who kept them safe until his own death in 1570. Melzi left the collection in turn to his son Orazio, whose lack of interest in the arts and sciences resulted in a sad period of dispersal which endangered their survival, but in 1636 the bulk of them, in thirteen volumes, were assembled and donated to the Ambrosian Library in Milan. These include a large volume of notes and drawings compiled from the various portions of the notebooks and is now known as the Codex Atlanticus. There they stayed, forgotten and ignored, until 1796, when Napoleon's marauding army overran Italy and art and literary works, including the thirteen volumes of Leonardo's notebooks, were pillaged and taken to Paris. After the war in 1815, the French government agreed to return them but only the Codex Atlanticus found its way back to Milan; the rest remained in Paris. The appendix to one notebook, dealing with the flight of birds, was later regarded as of sufficient importance to stand on its own. Four small collections reached Britain at various times during the seventeenth and eighteenth centuries; of these, the volume in the Royal Collection at Windsor Castle is notable for its magnificent series of anatomical drawings. Other collections include the Codex Leicester and Codex Arundel in the British Museum in London, and the Madrid Codices in Spain.
    Towards the end of the nineteenth century, Leonardo's true stature as scientist, engineer and inventor began to emerge, particularly with the publication of transcriptions and translations of his notebooks. The volumes in Paris appeared in 1881–97 and the Codex Atlanticus was published in Milan between 1894 and 1904.
    [br]
    Principal Honours and Distinctions
    "Premier peintre, architecte et mécanicien du Roi" to King François I of France, 1516.
    Further Reading
    E.MacCurdy, 1939, The Notebooks of Leonardo da Vinci, 2 vols, London; 2nd edn, 1956, London (the most extensive selection of the notes, with an English translation).
    G.Vasari (trans. G.Bull), 1965, Lives of the Artists, London: Penguin, pp. 255–271.
    C.Gibbs-Smith, 1978, The Inventions of Leonardo da Vinci, Oxford: Phaidon. L.H.Heydenreich, Dibner and L. Reti, 1981, Leonardo the Inventor, London: Hutchinson.
    I.B.Hart, 1961, The World of Leonardo da Vinci, London: Macdonald.
    LRD / IMcN

    Biographical history of technology > Leonardo da Vinci

  • 6 Lee, Revd William

    SUBJECT AREA: Textiles
    [br]
    d. c. 1615
    [br]
    English inventor of the first knitting machine, called the stocking frame.
    [br]
    It would seem that most of the stories about Lee's invention of the stocking frame cannot be verified by any contemporary evidence, and the first written accounts do not appear until the second half of the seventeenth century. The claim that he was Master of Arts from St John's College, Cambridge, was first made in 1607 but cannot be checked because the records have not survived. The date for the invention of the knitting machine as being 1589 was made at the same time, but again there is no supporting evidence. There is no evidence that Lee was Vicar of Calverton, nor that he was in Holy Orders at all. Likewise there is no evidence for the existence of the woman, whether she was girlfriend, fiancée or wife, who is said to have inspired the invention, and claims regarding the involvement of Queen Elizabeth I and her refusal to grant a patent because the stockings were wool and not silk are also without contemporary foundation. Yet the first known reference shows that Lee was the inventor of the knitting machine, for the partnership agreement between him and George Brooke dated 6 June 1600 states that "William Lee hath invented a very speedy manner of making works usually wrought by knitting needles as stockings, waistcoats and such like". This agreement was to last for twenty-two years, but terminated prematurely when Brooke was executed for high treason in 1603. Lee continued to try and exploit his invention, for in 1605 he described himself as "Master of Arts" when he petitioned the Court of Aldermen of the City of London as the first inventor of an engine to make silk stockings. In 1609 the Weavers' Company of London recorded Lee as "a weaver of silk stockings by engine". These petitions suggest that he was having difficulty in establishing his invention, which may be why in 1612 there is a record of him in Rouen, France, where he hoped to have better fortune. If he had been invited there by Henry IV, his hopes were dashed by the assassination of the king soon afterwards. He was to supply four knitting machines, and there is further evidence that he was in France in 1615, but it is thought that he died in that country soon afterwards.
    The machine Lee invented was probably the most complex of its day, partly because the need to use silk meant that the needles were very fine. Henson (1970) in 1831 took five pages in his book to describe knitting on a stocking frame which had over 2,066 pieces. To knit a row of stitches took eleven separate stages, and great care and watchfulness were required to ensure that all the loops were equal and regular. This shows how complex the machines were and points to Lee's great achievement in actually making one. The basic principles of its operation remained unaltered throughout its extraordinarily long life, and a few still remained in use commercially in the early 1990s.
    [br]
    Further Reading
    J.T.Millington and S.D.Chapman (eds), 1989, Four Centuries of Machine Knitting, Commemorating William Lee's Invention of the Stocking Frame in 1589, Leicester (N.Harte examines the surviving evidence for the life of William Lee and this must be considered as the most up-to-date biographical information).
    Dictionary of National Biography (this contains only the old stories).
    Earlier important books covering Lee's life and invention are G.Henson, 1970, History of the Framework Knitters, reprint, Newton Abbot (orig. pub. 1831); and W.Felkin, 1967, History of the Machine-wrought Hosiery and Lace Manufactures, reprint, Newton Abbot (orig. pub. 1867).
    M.Palmer, 1984, Framework Knitting, Aylesbury (a simple account of the mechanism of the stocking frame).
    R.L.Hills, "William Lee and his knitting machine", Journal of the Textile Institute 80(2) (a more detailed account).
    M.Grass and A.Grass, 1967, Stockings for a Queen. The Life of William Lee, the Elizabethan Inventor, London.
    RLH

    Biographical history of technology > Lee, Revd William

  • 7 Reason, Richard Edmund

    [br]
    b. 21 December 1903 Exeter, Devon, England
    d. 20 March 1987 Great Bowden, Leicestershire, England
    [br]
    English metrologist who developed instruments for measuring machined-surface roughness.
    [br]
    Richard Edmund Reason was educated at Tonbridge School and the Royal College of Science (Imperial College), where he studied under Professor A.F.C.Pollard, Professor of Technical Optics. After graduating in 1925 he joined Taylor, Taylor and Hobson Ltd, Leicester, manufacturers of optical, electrical and scientific instruments, and remained with that firm throughout his career. One of his first contributions was in the development, with E.F.Fincham, of the Fincham Coincidence Optometer. At this time the firm, under William Taylor, was mainly concerned with optical instruments and lens manufacture, but in the 1930s Reason was also engaged in developing means for measuring the roughness of machined surfaces. The need for establishing standards and methods of measurement of surface finish was called for when the subcontracting of aero-engine components became necessary during the Second World War. This led to the development by Reason of an instrument in which a stylus was moved across the surface and the profile recorded electronically. This was called the Talysurf and was first produced in 1941. Further development followed, and from 1947 Reason tackled the problem of measuring roundness, producing the first Talyrond machine in 1949. The technology developed for these instruments was used in the production of others such as the Talymin Comparator and the Talyvel electronic level. Reason was also associated with the development of optical projection systems to measure the profile of parts such as gear teeth, screw threads and turbine blades. He retired in 1968 but continued as a consultant to the company. He served for many years on committees of the British Standards Institution on surface metrology and was a representative of Britain at the International Standards Organization.
    [br]
    Principal Honours and Distinctions
    OBE 1967. FRS 1971. Honorary DSc University of Birmingham 1969. Honorary DSc Leicester University 1971.
    Further Reading
    D.J.Whitehouse, 1990, Biographical Memoirs of Fellows of the Royal Society 36, London, pp. 437–62 (an illustrated obituary notice listing Reason's eighty-nine British patents, published between 1930 and 1972, and his twenty-one publications, dating from 1937 to 1966).
    K.J.Hume, 1980, A History of Engineering Metrology, London, 113–21 (contains a shorter account of Reason's work).
    RTS

    Biographical history of technology > Reason, Richard Edmund

  • 8 Thomson, Elihu

    SUBJECT AREA: Electricity
    [br]
    b. 29 March 1853 Manchester, England
    d. 13 March 1937 Swampscott, Massachusetts, USA
    [br]
    English (naturalized) American electrical engineer and inventor.
    [br]
    Thomson accompanied his parents to Philadelphia in 1858; he received his education at the Central High School there, and afterwards remained as a teacher of chemistry. At this time he constructed several dynamos after studying their design, and was invited by the Franklin Institute to give lectures on the subject. After observing an arc-lighting system operating commercially in Paris in 1878, he collaborated with Edwin J. Houston, a senior colleague at the Central High School, in working out the details of such a system. An automatic regulating device was designed which, by altering the position of the brushes on the dynamo commutator, maintained a constant current irrespective of the number of lamps in use. To overcome the problem of commutation at the high voltages necessary to operate up to forty arc lamps in a series circuit, Thomson contrived a centrifugal blower which suppressed sparking. The resulting system was efficient and reliable with low operating costs. Thomson's invention of the motor meter in 1882 was the first of many such instruments for the measurement of electrical energy. In 1886 he invented electric resistance welding using low-voltage alternating current derived from a transformer of his own design. Thomson's work is recorded in his technical papers and in the 700plus patents granted for his inventions.
    The American Electric Company, founded to exploit the Thomson patents, later became the Thomson-Houston Company, which was destined to be a leader in the electrical manufacturing industry. They entered the field of electric power in 1887, supplying railway equipment and becoming a major innovator of electric railways. Thomson-Houston and Edison General Electric were consolidated to form General Electric in 1892. Thomson remained associated with this company throughout his career.
    [br]
    Principal Honours and Distinctions
    Chevalier and Officier de la Légion d'honneur 1889. American Academy of Arts and Sciences Rumford Medal 1901. American Institute of Electrical Engineers Edison Medal 1909. Royal Society Hughes Medal 1916. Institution of Electrical Engineers Kelvin Medal 1923, Faraday Medal 1927.
    Bibliography
    1934, "Some highlights of electrical history", Electrical Engineering 53:758–67 (autobiography).
    Further Reading
    D.O.Woodbury, 1944, Beloved Scientist, New York (a full biography). H.C.Passer, 1953, The Electrical Manufacturers: 1875–1900, Cambridge, Mass, (describes Thomson's industrial contribution).
    K.T.Compton, 1940, Biographical Memoirs of Elihu Thomson, Washington, DCovides an abridged list of Thomson's papers and patents).
    GW

    Biographical history of technology > Thomson, Elihu

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